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JOHN: The people's bible commentary - BETRAYED in a GARDEN
JOHN: The people's bible commentary - BETRAYED in a GARDEN
by BRF - Richard A. Burridge
BETRAYED in a GARDEN Jesus has finally finished ‘speaking these words’ of the Farewell Discourses and his Prayer, and so now he takes his disciples out across the Kidron valley to a garden (18:1). We notice immediately that John’s account of the passion is both similar to the oth
Four Gospels, One Jesus - Four Gospels,... Four Portraits
Four Gospels, One Jesus - Four Gospels,... Four Portraits
by SPCK - Richard A Burridge
Four Gospels,… Four portraits Deep in the heart of the Kent countryside, perched on the side of a gentle hill sloping from the Downs to the flat plain of the Kentish Weald, is a large country house. Chartwell, as it is known, was the country home of Sir Winston Churchill from 192
Four Gospels, One Jesus - What are the gospels?
Four Gospels, One Jesus - What are the gospels?
by SPCK - Richard A Burridge
What are the Gospels? Genre First, we need to ascertain what kind of creature we are about to encounter. If we were to treat a cartoon featuring Churchill as though it were a photograph, we would soon make mistakes in its interpretation. Similarly, one does not listen to a fairy
JOHN: The people's bible commentary - I AM THE VINE
JOHN: The people's bible commentary - I AM THE VINE
by BRF - Richard A. Burridge
I AM THE VINE The various themes introduced in chapter 13 were developed through chapter 14, including the key elements of a farewell speech. Finally, Jesus said, ‘Rise, let us go from here’ (14:31). However, they do not do this until 18:1. Some scholars suggest that chapters 15—
JOHN: The people's bible commentary - JESUS WASHES the DISCIPLES FEET
JOHN: The people's bible commentary - JESUS WASHES the DISCIPLES FEET
by BRF - Richard A. Burridge
JESUS WASHES the DISCIPLES FEET The curtain rises on Act Two of John’s drama, yet slowly. Now that the ‘hour’ has finally come, time slows down. Act One and the interlude (chs. 1—12) have taken over two years, with two previous Passovers (2:13; 6:4). Act Two (chs. 13—19) covers j
JOHN: The people's bible commentary - JESUS AND JOHN THE BAPTIST
JOHN: The people's bible commentary - JESUS AND JOHN THE BAPTIST
by BRF - Richard A. Burridge
JESUS AND JOHN THE BAPTIST The next scene gives us a glimpse of the ministry of Jesus and his disciples baptizing, in much the same way as John the Baptist and his followers. It was a good job there was ‘much water there’!…
Four Gospels, One Jesus - From Jerome to the Book of Kells
Four Gospels, One Jesus - From Jerome to the Book of Kells
by SPCK - Richard A Burridge
From Jerome to the Book of Kells The illuminated gospels Jerome’s translation quickly became the ‘Vulgate’, which means ‘Common’ version. The canonical order of Matthew– Mark–Luke–John applied to Ezekiel’s sequence was fairly standard and the four symbols can be found in frescoes
JOHN: The people's bible commentary - The KING is BURIED
JOHN: The people's bible commentary - The KING is BURIED
by BRF - Richard A. Burridge
The KING IS BURIED After describing Jesus’ three last sayings and the flow of blood and water from his side, suddenly John inserts a narrative comment with two of his key words both used twice, ‘witness’ and ‘truth’ (19:35). John the Baptist was a ‘witness’ to Jesus at the very s
JOHN: The people's bible commentary - The DEATH of the KING
JOHN: The people's bible commentary - The DEATH of the KING
by BRF - Richard A. Burridge
The DEATH of the KING The Romans would usually leave a crucified body hanging on the cross to be picked clean by animals and birds, as a warning to others, like the old gibbets for hanged highwaymen at cross-roads. According to John, it is the Day of Preparation for the Passover,
JOHN: The people's bible commentary - GOD SO LOVED the WORLD
JOHN: The people's bible commentary - GOD SO LOVED the WORLD
by BRF - Richard A. Burridge
GOD SO LOVED the WORLD THINGS As we saw before, this passage can be read either as the end of Jesus’ conversation with Nicodemus, or as a separate comment by the evangelist. Who says it, is less important than what it says, for it is one of this gospel’s supreme passages, full of
Four Gospels, One Jesus - Jerusalem - the lion's lair or robber's den?
Four Gospels, One Jesus - Jerusalem - the lion's lair or robber's den?
by SPCK - Richard A Burridge
Jerusalem – the lion’s lair or robbers’ den? The Temple, Mark 11—13 Mark’s gospel is like a symphony in three movements: we rushed through the first half in a flurry of activity, power and conflict, healings and exorcisms (1—8.26); the second movement was an interlude at a slower
Four Gospels, One Jesus - From four gospels forward to many Jesuses
Four Gospels, One Jesus - From four gospels forward to many Jesuses
by SPCK - Richard A Burridge
From four gospels forward to many Jesuses Many interpretations tend to create the subject’s portrait in the author’s own image. Irenaeus applies the four living creatures not only to the evangelists themselves, but also to their portraits of Jesus: the four symbols are ‘images of
Four Gospels, One Jesus - How did the gospels come to be written?
Four Gospels, One Jesus - How did the gospels come to be written?
by SPCK - Richard A Burridge
How did the gospels come to be written? Source As a schoolteacher, I used to spend long evenings marking children’s exercise books. Occasionally, I would suddenly realize that I had seen this answer before, or something very like it, and a frantic search would ensue back through
Four Gospels, One Jesus - Plurality within limits
Four Gospels, One Jesus - Plurality within limits
by SPCK - Richard A Burridge
Plurality within limits If we return to our initial comparison with Churchill, then certainly Lady Churchill believed that there were limits with regard to portraits of her husband, although the criteria seem subjective. Graham Sutherland’s tapestry of Christ can still be seen at
Four Gospels, One Jesus - The bounding lion
Four Gospels, One Jesus - The bounding lion
by SPCK - Richard A Burridge
The bounding lion Mark’s style, structure and narrative technique Whenever Aslan does appear in the Narnia stories, he dashes from place to place as he is needed in great leaps and bounds: ‘he rushes on and on, never missing his footing, never hesitating’ (The Lion, the Witch and
Four Gospels, One Jesus - Talons bared for conflict